ABOUT
Onnik James Krikorian is a journalist, photographer and media consultant from the United Kingdom. Published by The Los Angeles Times, The Wall Street Journal, BBC, National Geographic, Geographical, The National, Stratfor, New Internationalist, EurasiaNet, Transitions Online, Institute of War for Peace Reporting, UNICEF and others, he has also fixed for the BBC, Al Jazeera English, The Wall Street Journal, and National Geographic.
Artist Lusine Aguletsi, Yerevan, Armenia
© Onnik James Krikorian 2000
He has over thirty years experience in the national and international media, including working contracts at The Bristol Evening Post, The Independent, and The Economist. For five years, from 2007-2012, he was the Caucasus Regional Editor for Global Voices.
He has covered the conflict between Armenia and Azerbaijan over Nagorno Karabakh since visiting the disputed territory for The Independent in 1994. In August 2008 he also covered the Russia-Georgia war. This has led to related work as a trainer in conflict-sensitive reporting as well as in social media for Armenian, Azerbaijan, Georgian, Moldovan, Turkish, Abkhazian, and Ossetian journalists.
He speaks regularly on the same at many international conferences and was part of an expert working group, Evaluating the Impact of New Media on Conflict, at the U.S. Institute of Peace (USIP) in Washington D.C. in 2010. Pioneering the use of new and social media in Armenia-Azerbaijan conflict resolution, transformation, and cross-border cooperation from 2008 onwards, this has since expanded to include Armenia-Turkey as well as Abkhazia and South Ossetia, including work for the European Union Monitoring Mission (EUMM) in Georgia.
In October 2012 he presented his work related to the media in the Armenia-Azerbaijan conflict at a seminar organized by the Organization for Security and Cooperation in Europe (OSCE) in Dublin, Ireland. And in February 2013 he was also an expert speaker at an intergovernmental seminar on evaluating methods to combat violent extremism online in Abu Dhabi, UAE, organized by the Center for Strategic Counterterrorism Communications (CSCC), Global Counterterrorism Forum (GCTF), and the Hedayah Center.
From August to November 2013 he was contracted by Canal France International to organise the 4M Journalism and Social Media Forum held in Tbilisi, Georgia, in November 2013 for journalists and media professionals from Armenia, Azerbaijan, and Georgia. In June 2014 he was also a participant for a closed expert meeting on Developing an Effective Counter-Narrative Framework for Countering Violent Extremism (CVE) organised by The International Centre for CounterTerrorism — The Hague and the Hedayah Centre.
In 2015 this work has continued with workshops held for the European Union Monitoring Mission (EUMM) and Transparency International Georgia as well as the OSCE office in Tajikistan, the OSCE Centre in Kyrgyzstan, and OSCE Transnational Threats Division. He also holds workshops on social media, mobile reporting, and conflict-sensitive reporting for international media support organisations such as Free Press Unlimited and Deutsche Welle Akademie.
From December 2016 to December 2018 he worked on multiple external consultancy contracts with the OSCE Transnational Threats Department / Action against Terrorism Unit (TNTD / ATU) on drawing up training curriculums on Preventing and Countering Violent Extremism (P/CVE) for Youth, Women, and Community Leaders.
He can be followed on Twitter and Facebook.
LATEST BLOG POSTS
From St. Petersburg to Tbilisi: The Georgian Punk Scene Experiences a Revival
The Caspian Post has published my article, accompanied by photographs, on the influx of alternative Russian musicians to Tbilisi following Putin’s further invasion of Ukraine last year. It’s a continuation of my work on the underground rock, metal, and punk scene in all three countries of the South Caucasus since 2001 and especially my personal project, Tbilisi Underground. The punk scene in Georgia, incidentally, has always been unique, but the arrival of often political bands from Russia and beyond has arguably diversified and reinvigorated it.
Beez Theatre's Qarınqulu Ayı Balası Spreads Messages of Friendship and Community
The Caspian Post has published my story accompanied by photographs of the Beez Children’s Theatre. I remember them from just after the pandemic and always wanted to do a story on the troupe. I’ve spent a long time covering minority communities in the region – from the Yezidis in Armenia to the ethnic Armenian and Azerbaijani communities here in Georgia. At some point I must post more of this work that I’ve undertaken since 1998.
Georgian government withdraws controversial legislation amid protests
If there’s one thing Georgians have a habit of doing above all else it’s protesting – and last week was no exception. Public outrage at the passing of controversial legislation on ‘foreign agents’ saw thousands take to the streets outside the parliament building on Tbilisi’s main thoroughfare, Rustaveli Avenue.