Deinstitutionalisation, Kutaisi, Georgia
Photographs © Onnik James Krikorian 2007.
ARTICLES ABOUT DEINSTITUTIONALISATION
SUFFER THE CHILDREN
A mother waits patiently to enroll her son at an Auxiliary Boarding School for children with learning disabilities somewhere in the heart of the Armenian capital. It doesn’t seem to matter to the staff that the twelve-year old isn’t disabled, all the school requires, the Director says, is a medical certificate.
First published 2003
CHILDREN OF THE SOUTH CAUCASUS
At just eight months of age, Tiesa and her two sisters were abandoned by a roadside. They survived by eating roadkill — frogs, in fact — and drinking water from puddles before being discovered. The children, two of them with learning disabilities, were placed in Tbilisi’s Infant House, an orphanage by any other name.
First published 2014
LATEST BLOG POSTS
Woodstock in the South Caucasus
Stratfor has published my text and photographs on the One Caucasus Festival held in the village of Tserakvi in Georgia. It’s aim is to bring together young Armenian, Azerbaijani, and Georgian musicians and other artists to work together to build a common image of a united and peaceful region.
Alternative and Counter-Narratives in the Karabakh Conflict
No sooner than I’m back from Yerevan, where I presented my work on alternative and counter narratives in the context of the Nagorno Karabakh conflict and Countering Violent Extremism (CVE) in general, than yet another exchange of fire has left innocent civilians dead on the Line of Contact (LoC) separating Karabakh forces, which include a significant number of conscripts from Armenia, and the Azerbaijani military.
Tbilisi: A Regional Hub for Alternative Music in the South Caucasus?
Having moved from the UK to Armenia in 1998 to work for the United Nations Development Programme (UNDP) it was only natural that I started to take an interest in an alternative music scene that, while not really existing, was emerging at the time. From 2001 onwards the situation started to change, and bands such as Gyumri’s The Bambir really grabbed my attention. By the mid-2000s other bands started to emerge and those that had been dormant during the electricity shortages of the 1990s began to re-surface.