Text and photographs by Onnik James Krikorian The two farmers standing barefoot outside their vegetable enclosure close to Georgia’s border with Dagestan meant well, but the wine they offered tasted like vinegar. Likely to put a grimace on the face of any foreign...
Having moved from the UK to Armenia in 1998 to work for the United Nations Development Programme (UNDP) it was only natural that I started to take an interest in an alternative music scene that, while not really existing, was emerging at the time. From 2001 onwards the situation started to change, and bands such as Gyumri’s The Bambir really grabbed my attention. By the mid-2000s other bands started to emerge and those that had been dormant during the electricity shortages of the 1990s began to re-surface.
This month, against the backdrop of the Caucasus Mountains, a unique four-day festival in Georgia celebrated its tenth anniversary. Held annually in August, the multi-disciplinary One Caucasus festival aims to rediscover a spirit of unity and cooperation that once flourished among the diverse nations of the region.
Earlier this month Georgia was the theme of the Europalia biennial in Belgium. With a rich history of art, culture, dance, and music of its own, it was therefore encouraging to see that one of the performers from the country was the ethnic Azerbaijani Ashiq Nargile. This was a welcome inclusion of a representative of Georgia’s largest ethnic minority in the programme.
Last week, Caucasus Edition, the publication of the Imagine Center for Conflict Transformation, held another Zoom webinar, this time entitled “Rethinking Peacebuilding in the South Caucasus in Relation to the War in Ukraine.” Recently, there have been many commenting on what the Russian invasion might have on this region, though framing it as a need to reconsider peacebuilding strategies in the South Caucasus is an especially relevant one.
The One Caucasus Festival has been and gone, but because of COVID-19 it took on a very different format this year. At first, it seemed as though it would be held as it always has been with musicians from Armenia, Azerbaijan, Georgia, and elsewhere performing in a festival area conceived and constructed by architects from throughout the region and abroad too.
Nationalist and ultra-nationalist narratives increasingly resemble those disseminated by violent extremist groups. Not only can themes be similar, but so too are the ways in which they are amplified and disseminated online via different mediums and platforms. They also target specific demographic groups, but there are few if any attempts to address or effectively counter them. This is especially true in the South Caucasus.
Stratfor has published my text and photographs on the One Caucasus Festival held in the village of Tserakvi in Georgia. It’s aim is to bring together young Armenian, Azerbaijani, and Georgian musicians and other artists to work together to build a common image of a united and peaceful region.
Last week saw bands from Armenia, Azerbaijan, and Georgia compete in the semi-finals of a Metal Battle Caucasus to determine which three bands would perform at the final next month. The winner will get to perform at the Wacken Open Air Festival to be held later this year in Germany.
Earlier this month, Tbilisi celebrated Tbilisoba, the city’s annual harvest festival. Over the years it has changed significantly and seems smaller than before. I first covered the event in 2011 but the best so far remains 2014 when there was more representation of traditional Georgian folk dance and music as well as by ethnic minorities such as the Armenian and Azerbaijani communities. This year, that was held relatively far away from Tbilisi’s Old Town and Rike Park with very little publicity or in some media any at all. Nonetheless, those that attended appeared to enjoy themselves sufficiently and I managed to photo stories.
As this year’s United Nations Climate Change Conference in Baku draws closer, negotiations between Armenia and Azerbaijan appear to be drifting further apart. Despite hopes that the opposite would be true, a lack of clarity and confusion instead continues to reign. Does the draft Agreement on Peace and Establishment of Interstate Relations contain 17 points or 16? Initially, Armenian Prime Minister Nikol Pashinyan had announced that consensus had been reached on 13 points while 3 were partially agreed and there was no agreement at all on a fourth.
Last month, Armenia arrested several individuals accused of recruiting others to stage a coup in the country. The group has a history of recruiting Armenian citizens as foreign fighters in Russia’s war in Ukraine.
The Armenian government faces a potential vulnerability from militant groups as progress occurs in the normalization process with Azerbaijan following the 2020 44-day war and recent conflict in Karabakh, fueling discontent among many Armenians.