Opinion: the economic impact of an Armenia-Azerbaijan peace agreement should not be overestimated

Opinion: the economic impact of an Armenia-Azerbaijan peace agreement should not be overestimated

Photo © RaillyNews

Commonspace yesterday published my third opinion piece on a potential Armenia-Azerbaijan peace agreement – or rather on what needs to happen and what should be avoided. Given some recent claims – including a rather baffling one that the cost of petrol would be reduced by half if Yerevan and Baku signed a treaty and Azerbaijani petrol was imported to Armenia – it was one that had to be written.

As the Armenia-Azerbaijan peace process progresses, Onnik James Krikorian writes in this op-ed for commonspace.eu that it is vital that “simplistic promises of economic prosperity without the appropriate research and a realistic analysis do not lead to later disappointment and disillusionment. That would only be exploited by nationalists and external powers opposed to the normalisation of relations.” While the economic impact of a peace agreement should not be overestimated, however, this does not mean that there won’t be any advantages, he argues.

 

While economic relations can serve as a means to foster cooperation and build confidence between countries in conflict, genuine progress in the political realm remains essential for any meaningful financial impact. Economic ties alone are insufficient to prevent the recurrence of war, especially in a protracted conflict such as that between Armenia and Azerbaijan. 

 

[…] economic growth would obviously help alleviate poverty and inequality in both societies, it would be erroneous to assume that Armenia and Azerbaijan could establish robust economic connections in the immediate aftermath of a peace agreement. Given that any treaty can also fail, it is unlikely that either country would make substantial investments in this area in the short term.  

 

[…]

 

“In the dimension of trade, benefits of peace exist, but would overall be smaller than might be expected at first,” a 2019 report funded by the European Union by Berlin Economics found. “As Armenia and Azerbaijan are both relatively small economies and complementarities in the export and import baskets are not large, bilateral goods trade would be limited at around 1% of total trade for Armenia and less than 1% of Azerbaijan’s total trade in the long run.”

 

It is vital, therefore, that simplistic promises of economic prosperity without the appropriate research and a realistic analysis do not lead to later disappointment and disillusionment. That would only be exploited by nationalists and external powers opposed to the normalisation of relations. 

The full opinion piece can be read here.

 

 

CONFLICT VOICES e-BOOKS

 

Conflict Voices – December 2010

Short essays on the Nagorno Karabakh Conflict
Download in English | Russian

 

Conflict Voices – May 2011

Short essays on the Nagorno Karabakh Conflict
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Opinion: culture can play a critical role in Armenia-Azerbaijan peace-building

Opinion: culture can play a critical role in Armenia-Azerbaijan peace-building

A road named after the Armenian cultural icon Sayat Nova in the majority ethnic Azerbaijan town of Marneuli in the Kvemo Kartli region of Georgia © Onnik James Krikorian

Commonspace, a publications of LINKS Europe, has published my opinion piece on the potential role of culture in Armenia-Azerbaijan peacebuilding. A double-edged sword, though subjective interpretation of culture has traditionally been used by nationalists to drive the sides apart, there are also examples where it can be used to highlight shared values and overlaps in customs and traditions.

In this op-ed for commonspace.eu, Onnik James Krikorian writes that culture can play a critical role in the Armenia-Azerbaijan peace-building process. “It can provide positive examples of coexistence and demonstrate how Armenians and Azerbaijanis share similarities despite dominant nationalist narratives that suggest otherwise. Acknowledging and respecting cultural differences could be instrumental in promoting peace and resolving conflicts.”

 

While culture may not initially appear to be a critical area of focus for conflict resolution practitioners engaged in activities to resolve the Armenia-Azerbaijan conflict, it is nonetheless important to consider. Although there have been some precedents of cultural initiatives, there are also potential risks involved. Shared or similar traditions, including in cuisine and music, invariably lead to mutual accusations of cultural misappropriation and theft. 

 

Yet culture plays a critical role in shaping people’s perspectives, interactions, beliefs, values, and customs, which ultimately influence their perceptions of conflict and violence. In addition, it can provide positive examples of coexistence and demonstrate how Armenians and Azerbaijanis share similarities despite dominant nationalist narratives that suggest otherwise. Acknowledging and respecting cultural differences could be instrumental in promoting peace and resolving conflicts.   

 

[…]

The full opinion piece can be read here.

 

 

CONFLICT VOICES e-BOOKS

 

Conflict Voices – December 2010

Short essays on the Nagorno Karabakh Conflict
Download in English | Russian

 

Conflict Voices – May 2011

Short essays on the Nagorno Karabakh Conflict
Download in English | Russian

From St. Petersburg to Tbilisi: The Georgian Punk Scene Experiences a Revival

From St. Petersburg to Tbilisi: The Georgian Punk Scene Experiences a Revival

Jesus Sister, Secret Place, Tbilisi, Georgia © Onnik James Krikorian / Caspian Post 2023

The Caspian Post has published my article, accompanied by photographs, on the influx of alternative Russian musicians to Tbilisi following Putin’s further invasion of Ukraine last year. It’s a continuation of my work on the underground rock, metal, and punk scene in all three countries of the South Caucasus since 2001 and especially my personal project, Tbilisi Underground. The punk scene in Georgia, incidentally, has always been unique, but the arrival of often political bands from Russia and beyond has arguably diversified and reinvigorated it.

The lights dim. The crowd roars. Inessa Fleshler has just arrived backstage. Her diminutive frame stands in stark contrast to the heavily built male musicians around her. For four years, she’s been the lead vocalist for a noise-rock, post-hardcore punk band called Jesus Sister, hailing originally from St. Petersburg, Russia. As a former child actress, she’s no stranger to the limelight, and as soon as my camera points at her, the 24-year-old’s bubbly demeanor transforms into an expression as if she was once again performing in a movie tackling difficult social themes. Tonight, her band is in Tbilisi to tear up the stage at Elektrowerk, an old factory-turned-venue for the metal and punk scene in one of the more faceless suburbs of the Georgian capital.

 

[…]

 

“I think every time when different musical cultures meet,” says Secret Place’s Fury, “something great is happening because we can show something to local guys, and they can show something to us. Not just Russians and Georgians but everyone who comes here. Some guys from Europe, the States, and Japan are playing here, and everyone is welcome. Punk has always been international. No borders.”

There’s also a little social media slideshow too.

You can read the full article here

Beez Theatre's Qarınqulu Ayı Balası Spreads Messages of Friendship and Community

Beez Theatre's Qarınqulu Ayı Balası Spreads Messages of Friendship and Community

Beez Theatre, Mirza Fatali Akhundov Museum © Onnik James Krikorian / Caspian Post 2023

The Caspian Post has published my story accompanied by photographs of the Beez Children’s Theatre. I remember them from just after the pandemic and always wanted to do a story on the troupe. I’ve spent a long time covering minority communities in the region – from the Yezidis in Armenia to the ethnic Armenian and Azerbaijani communities here in Georgia. At some point I must post more of this work that I’ve undertaken since 1998.

The Beez Azerbaijani Children’s Theatre is a unique cultural institution in Gardabani, a small town in the Kvemo Kartli region of Georgia where 65 percent of the population are ethnic Azerbaijani. The theatre was founded three years ago to provide a platform for children to express themselves through theatre and to promote Azerbaijani culture in Georgia.

 

[…]

 

The theatre takes its name from the honeybee and the sound it makes, a fitting symbol of the hard work necessary to foster creativity, imagination, and social skills in children. Combining traditional and modern music, dance, and costumes with modern storytelling techniques, Beez is already creating a unique and engaging experience for audiences of all ages, and has won competitions held by the Georgian Ministry of Culture.

 

[…]

 

“There were three main messages in the play,” Islamoglu told The Caspian Post after the performance: “not to be afraid of doctors, not to be afraid of medicine, and [to be] kind to each other.”

The full story can read here while The Caspian Post also put together a nice little social media-friendly slideshow on various platforms such as this one on Twitter.

 

 

CONFLICT VOICES e-BOOKS

 

Conflict Voices – December 2010

Short essays on the Nagorno Karabakh Conflict
Download in English | Russian

 

Conflict Voices – May 2011

Short essays on the Nagorno Karabakh Conflict
Download in English | Russian

Georgian government withdraws controversial legislation amid protests 

Georgian government withdraws controversial legislation amid protests 

Riot police assembled before dispersing the crowds protesting controversial legislation passed on the first reading last week in Tbilisi, Georgia © Onnik James Krikorian 2023

If there’s one thing Georgians have a habit of doing above all else it’s protesting – and last week was no exception. Public outrage at the passing of controversial legislation on ‘foreign agents’ saw thousands take to the streets outside the parliament building on Tbilisi’s main thoroughfare, Rustaveli Avenue. Even so, despite having covered pretty much every major demonstration here since 2012, I initially decided not to go down. Too much work focused now on the Armenia-Azerbaijan conflict and no desire to be tear-gassed again.

However, as soon as the riot police were deployed on the first evening it became clear that I had to, including the next day. Anyway, Osservatorio Balcani e Caucaso Transeuropa has since published some of my photographs. 

Following two nights of protests that saw riot police use tear gas and water cannon, the Georgian government announced that it has withdrawn controversial legislation that critics say would set back democratic development in the country and reverse the country’s stated policy of joining the European Union.

 

 The law that passed its first reading on 7 March would make non-governmental organisation, including media, obliged to register as ‘foreign agents’ if the amount of funding from abroad exceeded 20 percent of their budgets. The legislation has been compared to a similar 2012 passed in Russia that stifled civil activism in the country.  

 

It is for this reason that critics of the bill have labelled it the ‘Russian law.”

 

[…]

 

Following the Russian invasion of Ukraine and the granting of EU candidate status to Moldova and Ukraine, Georgia’s own application is currently under considerations. The opposition claims that the passage of the law on foreign agents would set back the country’s aspirations for EU membership year or even derail it.  

 

 Now all eyes will be on what happens next.  

The photo story is available in English here and in Italian here. The Caspian Post also used an image of mine for its social media streams.

Anyway, tear gas I was and many times on both nights. Given that two people lost eyes on 20 June 2019, a demonstration I also covered, it could be that the excessive use of tear gas was to avoid resorting to rubber bullets. Nevertheless, its use was disproportionate in most cases and wafted in the wind no doubt affecting residential areas close by.

As for the legislation itself, it seems that this impressive display of people play worked. For now at least. More photos on my Facebook.